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The Old-time Show
Lindy Stebbins
Billie Ruth was sitting in church with her
grandmother when the Spirit struck cousin Carlene.
It was a Wednesday night of the revival and the
one-room country church was packed. Folks had come
from as far away as Corinth and Tupelo. Billie
Ruth was only eleven, but she felt the powerful
surge of Bro. Tipton’s altar call. Still, she did
not stir from her seat. The shouting, the loud
praying, the hands clapping, the speaking in
tongues made her afraid. In her secret heart
Billie Ruth was more afraid of that than she was
of Hell. Her cousin was 13 and looked 16, with
womanly curves and thick, sensuous lips, droopy
bedroom eyes. Carlene whispered things about sex
to Billie Ruth when they were alone, nasty things
about boys and blood and babies. Billie Ruth
thought Carlene was crazy. But now the Spirit had
struck Carlene and she danced around the altar in
a frenzy, eyes shut, arms waving, hips swaying.
Men followed her hips with their eyes. Worshippers
made way for her as she convulsed, knocking
against pews.
“Hallelujah!” Grandma Bodine cried. “My
grandbaby’s saved at last! Glory!”
“Maybe this time it’ll stick,” a woman behind them
muttered. “Backsliding hussy.”
Billie Ruth glared at her.
“Well, it’s true,” the young woman said. “She’s
just puttin’ on a show for the men.”
Billie Ruth did not believe her.
Carlene was at the altar, on her knees, head
thrown back. Bro. Tipton’s meaty hand pressed
against her skull. The whole church was
electrified. Other sinners and backsliders teemed
to the altar seeking salvation. It was a fine
night for the revival.
When services ended Billie Ruth hurried outside to
find her cousin. She wanted to see how Carlene
looked, how she had changed. Perhaps she, Billie
Ruth, could bask in her cousin’s reflected glory
and the Spirit would fill her, too. She scanned
the crowd milling about the gravel parking lot and
saw Carlene leaning against a pickup truck, hip
cocked, idly flipping a coin. Her jaw worked a
stick of gum.
Billie Ruth had expected a radiant angel. But
Carlene’s gaze was vacant, her demeanor bored.
Where had the Spirit gone? Billie Ruth turned
away, bewildered.
Thus the first seed of doubt was planted for
Billie Ruth, age eleven.
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Little Madonnas
Joy Tremewan
We’d been waiting for the bus for a long time when
the two little madonnas arrived. They came from
the high school down the street, moving gracefully
towards us in spite of the heat and their many
burdens. In their arms they each cradled babies
swaddled in pink blankets. They were laden with
back packs filled with books, shoulder bags filled
with baby supplies and purses filled with the
necessities of women.
But they were barely women, didn’t look older than
15. They wore starched blue and white uniforms
but they took great care to adorn these plain
garments to the limit of school policy. Their
ears and necks and fingers and wrists flashed with
gold rings and chains. Their young faces were
obscured by make-up; eyes and lips painted to
highlight all they had learned of the world. They
were both crowned with mountains of hair sculpted
into tiers of waves and curls and studded with
golden hairpins. It almost disguised the fact
they hadn’t reached their full height.
I waited at the stop with a business man carrying
a briefcase, a woman in a greasy fast food
uniform, and a tall man in coveralls with window
washing equipment. We slumped in the heat and
barely acknowledged the new arrivals.
With sweet soft voices the little madonnas
gossiped about some crazy-ass bitch at school.
The babies were no bigger than loaves of bread and
didn’t look more than a few weeks old. They
squirmed inside their blankets as their mothers
laughed. When the conversation lulled, they held
them close and cooed.
We waited and waited. It was one of those hot
days that drains away energy and perspective.
When the woman arrived I wasn’t sure if she was
real or a mirage. She was famine skinny. Her
breasts were deflated flaps clearly visible
through her thin dingy shirt, and her purple
stretch pants hugged every knob of her bones. She
gripped bags stuffed with empty cups and plastic
containers. Her skin was sallow but her eyes were
bright and when she spoke she smiled with a full
set of white teeth.
"Do you have a green dollar for 4 quarters?"
The woman in the uniform turned away and lit a
cigarette. The two men looked in another
direction. I ducked my head and studied her feet
. Her scuffed sandals revealed toenails that were
curled brown spikes over an inch long. I had many
green dollars, but I wasn’t about to let her know.
The little madonnas immediately shuffled their
burdens around, pushed packs and bags back, and
brought purses forward. The first one to get her
wallet out handed the woman a fresh green bill.
The woman reached in one of her bags and pulled
out a handful of change. She tried to pick out
four quarters but kept getting confused and
shifting the money from hand to hand.
One madonna passed her baby to the other and put
her hand on the woman. "Here, let me help." She
extracted the four quarters from the woman’s palm;
then folded her fingers over the change. "Put
that away now, and be careful."
"Thank you," the woman said and crammed her money
back into a bag. "God bless," she said and started
to walk away.
"The bus will be here soon," a madonna said.
"Don’t go anywhere now."
"Oh, I don’t need the bus, I just need a green
dollar."
"Do you have some place to stay?" the other asked.
The woman smiled and scampered away.
The one took her baby back from the other. They
both planted kisses on the plump clean faces of
their daughters. The babies burbled with
contentment. The madonnas hugged their bundles to
their chests and spoke no more.
We waited and waited, the heat heavy upon us.
When the bus arrived, we were told there’d been an
accident with a downtown trolley. All the buses
had to be routed around it.
My ride home was short, but the little madonnas
had many miles and another transfer before they
reached home.
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In Vegas
Melissa A. Mann
We have just gotten off work at the restaurant,
with no real plan, an ounce of pot, and no fake ID
for my young friend. We walk the Vegas strip,
something I still find a special treat, almost
like waking up every morning and seeing the Statue
of Liberty. We walk and hold hands as we duck into
the sparsely spaced dark alleys of Vegas.
Sufficiently wasted, we linger at the crosswalk
between the MGM and New York New York. I always
want to jump. I know that I could and it would
hurt like hell, but just once… I guess that’s all
it would take. Johnny can barely rip his eyes from
the car lights below.
He’s still a kid under that dime bag exterior. He
still blushes when he tells me that he’s kissed a
couple of girls. I can’t even summon the blood to
my head when I see a boy’s wee-wee anymore.
Johnny has to pee, and it sends us scampering for
a can. Instead of ducking into the normal casino
bathrooms, we go in search of risky game, like a
curb or an outdoor plaza. With luck, we run into
two side-by-side port-o-johns full of toilet
paper.
I crouch and hear the clunk of my keys as they
clank off the shitter’s rim. God, that was close.
What would happen if they really did hit the mark?
Would I actually reach my hand into that dank pit?
I was never one to make spare keys.
I crack my head on the door as I exit and fill
Johnny in on the possibility of losing something
down the port-o-crapper’s angry jowls. Johnny
simply replies that he would tip it over. I
counter with a theory that those shit holes could
extend another five feet into the ground. I would
have to go in after them, preferably not head
first. But, when it comes to getting into my
house, I might have to make the sacrifice. I don’t
know my landlord’s number off the top of my head.
I try to explain the importance of preparation to
Johnny. You have to think about these situations
in advance, so if it does happen, you have a rough
battle plan. He says that’s the reason why he
smokes weed. It clears his head. I tell him I
almost stepped on a chipmunk once. He laughs, and
I ponder the reason for such a retarded memory
spurt.
My stamina fades, so I drop Johnny off at his
coffee house hangout. He gives a casual wave back
as he runs to his hipster friends. I stand in an
oversized work shirt tied under my apron, feeling
like an embarrassingly-dressed mother, dropping
her son off at school.
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Edward Hopper’s “Eleven A.M.”
Ed Tankersley
A rivulet of sweat forms on her neck and rolls
down between her breasts, where it is absorbed by
her long brown hair. She leans forward to be
closer to the window and the hint of a breeze, but
also to keep her moist back from sticking to the
chair. The August heat grips the apartment, and
she wonders what’s keeping him. The clock above
the pharmacy across the street, the chimes from
the church on the corner have both struck the
hour. He will be here soon, if he comes at all.
The unrelenting morning sun angles into the room,
exposing the cheap green carpet and creating a
triangle of light around her small feet, the only
part of her still clothed. A darker corner might
be more discreet, but the window is the sole
source of fresh air and, from her position there,
she can see him arrive. It will give her time to
throw something on before he unlocks the door. He
will be in the mood; he’s always in the mood. And
he likes to undress her. In a matter of moments
those large hungry hands will be at her, but, even
in the heat, he will do it methodically,
patiently. He doesn’t sweat.
She casts a glance to the street several stories
below. The asphalt shimmers. Pedestrian traffic is
sparse for this time of day – no dark blue suit,
no gray fedora among them. The hot sidewalks have
driven the usual strollers to their own urban
oases, and she longs for a refuge also. The room
is stifling now, enervating. Too much to bear. A
bar would be nice, or a small café. Just to sit in
a booth somewhere, the air from an overhead fan on
her neck, sipping something cool. Something
cool. The lyrics of June Christy’s summer plaint
come back to her and she sings the first few lines
softly. Forgetting the words, she hums the tune
and, for a few moments, her discomfort eases. She
would like music when they are together. He says
it distracts him. He needs the grind of bed
springs, the hard, guttural breathing, the empty
words. Even in this heat.
Leaning forward,
elbows on her knees, fingers entwined, she looks
to the street again. A few more minutes, just a
few more.
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Confrontation
Corey Mesler
“Sky of a heel, is it going to rain?
if it rains you’ll have fried potatoes
unless it rains jail” - Benjamin Peret
How I wish I could see him again that man who hit
me with a book as he was leaving, all rage and
self-righteousness, all power in that one thrust
of his arm, outwards. How it must have felt to
connect with my chest, to feel the blunted edges
of that hefty tome meet the pliable stiffness of
my sternum! How masterful he must have felt! How
like a real man, a warrior. How like a winner.
Or, let’s imagine it another way. He comes to the
bookstore, he’s had a fight with his wife, she
walks with a cane and living with her is no
picnic, let me promise you that buddy, and so he’s
already spoiling for trouble and all he wants is a
poor sales clerk to cower for him and refund his
money on the book he special ordered and bought on
a whim, at a time when he was feeling a little
more omnipotent than he is now, entering this
small bookstore he’s confronted with what the
willowy young man, he may be gay, he thinks, is
calling “store policy” and in a fit of pique, one
irrational moment in an otherwise orderly life, he
lashes out, pushing the book forward with angry
words, surprised even as it makes contact with the
chest of the spindly book clerk. Let’s imagine
now that our customer gets in his car as the
clerk’s sputtering fury falls away behind him and
he revs the motor as if he were a teenager and
this his first own personal car and he rips out of
the parking lot and he is suddenly stricken with
remorse for what he’s done. Suddenly he is a man
confronted with the monster inside himself. He
hit someone! He is now a man who is capable of
hitting someone! Let’s imagine he goes home and
his wife limps into the living room and she
half-smiles at him and in his confusion he rages
at her also and calls her horrible names and let’s
say she strikes back and hits him and the
man is now not only a cruel bully but a man who
fights physically with his invalid wife. He can’t
take it, this view of himself, he can’t make it
fit. He stands in front of his mirror and he
makes himself a zero, he makes himself nothing.
Let’s imagine this man’s chagrin and self-loathing
turns him inside out so that he can no longer live
on the same planet as decent people and he just
evaporates, he disappears. He is no longer a man
capable of harming anyone for he is vapor. He is
only the trailing vapor from a bad dream, a
nightmare man. But it’s not true. I’ve seen him
again, coincidentally in another bookstore, buying
another book, blithely, as if he had never hit
anyone before in his life, as if buying a book for
him was not a jeopardous thing at all. I even
followed him to the checkout stand and heard him
make pleasant chatter with the young sales girl
there selling him his new book on model
airplanes. He exists, all right. He’s still out
there. Sometimes I can picture him, walking
toward me, I can feel him first because my back is
turned, a trembling inside me like a memory; I
sense him first as he gets closer. I turn to face
him and he’s hideous and I feel pity for him, pity
for him and his matted fur, the tusks at which
others must point, his sharp and terrible teeth!
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The Last Day of Sixth Grade
Sheri Bancroft
CeCe Seeman jumps out of her seat and runs down
the hall to the bathroom during final exams.
Diarrhea is dribbling down her legs and leaving a
trail. The whole school building smells. Everyone,
taking exams, can smell something horrible, worse
than the smell of the cooked cabbage or a cat’s
litter box or dog poop.
Everyone has to go outside.
In single file line, each middle school teacher
escorts students out into the hot sun. It is the
first week of June and already summer.
Everyone has her pencil and clipboard. Teachers
lead their classes to different spots on the
soccer field, so that everybody can finish their
exams. Because of the honor code at our school, no
one discusses the exams on the way outside.
Actually, nobody talks; the stench keeps everybody
quiet.
Everyone has her mouth and nose covered. I breathe
in the fabric of my cotton sundress. One girl,
more delicate than me, gags into the collar of her
dress.
That night I prank-call CeCe and ask her if she
has read the Diarrhea of Anne Frank yet, since it
is required summer reading. Then I make fart
noises into the phone and hang up. This is the
first time I have ever done anything so ugly and
mean, and it feels good as I do it. But the next
day I feel horrible. My first day of summer
vacation, I am eaten away with shame.
Sheri "Tater Baby" Bancroft writes and teaches in
Memphis. She is a recipient of the Tennessee Arts
Commission Literary Fellowship, is married to a
musician and has two cats.
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Blind
Chris
Johnson
Make my way feeling the walls. Slam my head into
the faucet, water racing out too fast, can’t find
the towel, half-miss the toilet. Research.
Barefoot and naked with no idea if my shades are
pulled, if anyone is looking in at the strange man
groping around his apartment beating the left side
of his head where the radio plays, on and on,
voices muffled, music up and down. Punch the wrong
number three times to get time seven forty-two,
temperature eighty-one. Losing balance on a beam
wide as the floor, but how can I know? Time seven
forty-eight, temperature eighty-one.
Democritus the Greek lived among men who no longer
believed the gods controlled all. Just before him,
man had realized that the Nile would rise and fall
despite the contrivance of gods. That advancing
storms were indeed advancing storms, not anger
lashed out from Zeus, as Homer would have them
believe. The Naturalists were at hand, wanting
truth, wanting to know that what they had seen was
exactly what it appeared to be, not a threatening
performance. Democritus among them, the Atomist,
profound and unprecedented in his assertions: "By
convention sweet is sweet, by convention bitter is
bitter, by convention hot is hot, by convention
cold is cold, by convention color is color. But in
truth there are atoms and the void."
Small, rapid things. Atoms. Varied in shape, which
determines their action. Sour and prickly on the
tongue atoms – jagged, dramatic. Cool water atoms
– smooth, slipping around with ease. Atoms and
void. Table corner atoms, doorway atoms –
definitely barbed.
Time eleven thirty-three, temperature eighty-one.
One two three four five six seven eight nine ten
eleven twelve thirteen fourteen fifteen steps up.
Fifteen down. Up. Down. Up. Down. Time is slow,
time is fast, too much time, too little time, no
time at all, all the time in the world. Time two
sixteen, temperature eighty-three. What now? What
if I fall and bash my skull and die and am found
laying naked in the foyer, nothing but a black
mask over my eyes? What then?
Reflect. Sleep. Dream.
Time eight forty-one, temperature eighty-two.
Turn on the stereo. Jazz atoms – smooth.
Democritus applauds. Was blind, but now I see.
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Furry Loved The
Water
David B.
Dawson
Furry loved the water. Loved taking a dip, 1970,
at the afternoon parties out past Germantown. The
rich white boys who copied his licks would take
him everywhere. Ancient skin, mummy skin, black
skin hanging from wise bones, yellow eyes, pure
white hair. The rich white boys would leave him
standing chest deep in the cool water of the pond.
White boys now sitting under willow trees on the
bank, smoking cigarettes, the rich white girls
sitting between their legs. Oblivious to Furry.
"Don't you act dumb, now, I seen dumb and you
ain't got none of that. I said get me out this
water. I already had one bath this month, don't
need no other. You hear me? I say, you hear me?"
Waving the quart bottle of Budweiser like a
maestro's baton. And eventually they heard him.
Forgotten old genius, forgotten songs, forgotten
world. Mr Handy. The Crump blues. Throwing bones
and playing slide on Beale Street. Sitting in with
Will Shade when the Memphis Jug Band needed some
seasoning. Pushing a broom all those years,
cleaning the hot, empty streets. Was this his
legacy? To be stuck in a pond, balancing in the
mud on his one leg, feeling like a stork. Finally
old Furry would fling the bottle toward the shore,
toward the rich white boys with that hair longer
than a woman's -- Furry always said a man
shouldn't ever mess with a woman got hair longer
than his. Rich white boys would come out there
with an aluminum web lawn chair, put old Furry in
it and carry him out of the cool water -- "Be
careful, got-damn it, I ain't no lifeguard" -- set
him down under the willows, in the shade where the
white girls sat on beach towels and tried to
ignore that on the foot of his one remaining leg,
he's wearing the wrong shoe.
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The Loons
Ed
Tankersley
He stands at the window, his back to her, watching
the lake and listening to the cry of the loons.
Only a few hours earlier they had crossed the Bay
of Fundy, leaving Nova Scotia behind. Nova Scotia,
the land of her ancestors, where they had hoped to
find records, resting places of people she had
never known. But they were seeking something else
also, something they hoped had not died, but only
been weakened through years of neglect. The census
records had been found, and the gravestones. But
not the other. So they headed south, through the
cheerless Maine landscape – intermittent comments
of the weather, directions, arrival times. Brief.
To the point. Nothing more.
And he stands at the window of the latest bed and
breakfast and listens. Or pretends to. This
silence is an entity in itself, pressing upon
them, and he is afraid to break it. He won’t start
it again, it is too painful: the empty exchanges,
words to fill a void – prodding, probing, like two
people meeting for the first time. Not those
conversations of another day, another world. Does
she remember them? Years of stimulating talk, born
of common interests, common loves. Acquaintances
had noted it. No two people with more in common,
they said. When had that couple become these two
caged individuals, lost to one another in the
deepening twilight? When had the lovers ceased to
be friends?
A stir from the bed causes him to tense. She is
coming to him now and he doesn’t know what to
expect from this woman-child he once knew so well.
Her arms encircle his waist, her head presses
against his back before her softly uttered words
destroy the best part of him: “This isn’t working,
is it?”
He has to face her now, become one with her if
only for the moment. Looking into her moist,
resigned eyes, he brushes the hair back from her
forehead and kisses it three times, the way he
used to kiss her lips before they went to sleep.
Remembering, she smiles faintly and tightens her
embrace, and together they stand in the darkening
room, defeated, hearing the cry of the loons from
their nesting place.
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My Friend, Bob
Canaletto
Corey Mesler
I wanted to write a story about my friend, Bob
Canaletto, the plumber. I wanted to describe his
rise to grandeur, to the pinnacle of plumberness.
How did he do it? Why him and not a dozen other
plumbers, equally talented, equally blessed?
I wanted to discuss the "right place at the right
time" theory, to debunk it, in a way. There is
genius and there is everyone else, and no one,
least of all me, admittedly, understands where
that demarcation line lies. I wanted to say
something about that, and about Bob, as a person,
as a friend, godfather to my young daughter, Dido.
So much has been written about him as a star, as
the brightest plumber of his generation.
He has been revered, delineated, deconstructed,
and, for all that, misunderstood. His rightfully
famous "Burr Removal Treatise" has been reprinted
more times than ‘Desiderata," but few have taken
the time to comprehend what he was really saying.
Ditto for his "Drain Snake Dialogue: A
Lucubration."
But, what about the spiritual Bob Canaletto? What
about the philosophical side to this worker in
sanitary ware? Was his belief in metempirics
consistent with his handling of flux and solder?
Did his "God" create his likeness with lampblack,
plumber’s soil? As of now, this has not been
plumbed, if you’ll forgive the play on words.
Now that he’s gone, has anyone stood up to say, "I
knew Bob Canaletto, and he was more that a great
pipe cleaner"? I wanted to be that person. I
wanted to add my voice to multitudes crying his
name.
I wanted the real Bob to emerge from the sciamachy
of myth. Did I know Bob Canaletto better than
anyone else knew Bob? This does not interest me. I
claim no personal glory.
I wanted to set Bob free.
But this cannot happen now. The zealots and the
coven of family members and "friends," the
sycophants and arcanists, have had their say. The
papers are sealed, the gag order issued, the
libraries mute.
But I know. I have my memories, like freshly
milled dreams. I sit quietly now and replay them.
They comfort me here, in my cell.
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Road Trip Back to
Memphis
by Sheri Bancroft
We ended up at a BBQ catfish place in Carlisle,
Arkansas. When we entered everyone looked up. No
one looked happy to see us or seat us. The
old-school career waitresses, who both looked like
Flo from the TV show “Alice,” said they didn’t
have a big enough table in the smoking section to
seat all six of us. Then some young rookie
waitress pointed and said, “What about that big
round table?” The waitresses looked at her in
disbelief. Didn’t she know they wanted to say they
couldn’t seat us so we would leave? So, one of the
career waitresses heaved and got menus and then
seated us at the big round table. She wasn’t happy
about this.
She took forever to bring us coffee. She tried not
to get too close to us. Did we smell bad?
When she took our food order, she didn’t smile.
She seemed offended when we ordered fries.
“We don’t have fries,” she said. “All we got here
is tater babies.”
“What are tater babies?” my husband asked.
“They’re not french fries but they taste like
fries, and they’re real small. About this big.”
She showed us her pinky.
So we got tater babies instead of french fries.
This was a Sunday, and everyone in there except us
had come from church. Everyone stared at us in our
jeans and T-shirts. We weren’t in our Sunday
school clothes, and they were pissed.
We ate and laughed and tried to be extra friendly
to these people who hated us.
Pink ate there once and had her picture taken. On
our way out, we stood by her picture and had our
picture taken. Pink looks more big city than us. I
wonder how her look went over when she came in the
front door of the restaurant. She was probably
better received than we were because she is a
star. And since she is a star it doesn’t matter
what you wear, even on a Sunday.
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Conversations with the Color Blue:
Number 2 - by David B. Dawson
It felt normal to be out late back then, later
than I can stay up these days. When I saw the blue
strobes flicker two cars behind me, my heart just
about stopped. A pint of Wild Turkey on the
floorboard, a pistol in the glove box, a suspended
driver’s license back home in a drawer. I pulled
over, right there, fast as I could. Tires screamed
behind me, some guy’s car an inch off my bumper.
The blue lights of the police cruiser sailed by,
and the cop spun the wheel and came around
sideways across the road. There was no sound.
Nothing, not even the blue strobes, could move.
Through the glare I saw the cop as he leveled a
shotgun and sighted down the barrel, aiming at me.
The barrel no more than inch around, but so black
inside that it went all the way to eternity. A few
seconds passed, seconds long as hours. The cop
flinched his head toward his shoulder and motioned
for me to drive on around. In the mirror I saw
four guys piling out of the car an inch off my
bumper, their hands on their heads. As I drove
around, the cop and I exchanged a glance, neither
one of us clear about a goddamn thing. |
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